Experimental duo whose physical live performance despite the laptop and drums format has become a hot topic in the Tokyo underground.
Artists
- Paris death Hilton
- kill me Elk
- tsubatics
- emulsion
- YATARA
OPEN 18:30 / START 19:00
TICKET ¥2,500(+drink))
Experimental duo whose physical live performance despite the laptop and drums format has become a hot topic in the Tokyo underground.
YATARA is a singer/songwriter/trackmaker. Born and raised in Tokyo, YATARA lived in London for several years from the age of 20, experiencing the UK Rock/Pop/Techno scene. He was greatly influenced by the rock/pop/techno scene in the U.K. and later on in his music production. He performs live with a style of playing e-guitar and singing on tracks created by DAW. He is an artist with roots in British progressive music, Indian music, and Japanese musical instruments. He has studied the Indian percussion instrument Tabla and Indian singing under renowned Indian artists. He has also been playing the Japanese shinobue flute for over 20 years.
Duo of shina-G (G) and mika-R (B/Vo/Electronics), emulsion is based on math rock, IDM, and breakbeats, and they stir up the floor in three modes: live, club, and improv. 2 US tours (including festival appearances) and many overseas collaborations. They have collaborated with many artists overseas. Dancing experimental music" that melds genres.
With the theme of pursuing essential sounds that do not change amidst the repetition of fads and fashions of the times, they travel with their friends in search of quality sounds and beautiful wine, while loving their neighbors. The sound of a single bass guitar, fused with the sounds of towns and nature, creates a road movie-like sound that captures the beauty of life and the human thoughts that lurk in everyday life, creating a fantastical world.
Electric bass player. In addition to improvisation including bass solos, he is active in bands such as MUSQIS, Torr, and Aureole.
While aiming to create a sound close to live sound, he is aiming for a new musical expression that deviates from the original role of the bass.